CUT TO: M.C.S. DANNY over WENDY. WENDY Wake up. TONY Danny's gone away, Mrs. Torrance. CUT TO: M.C.S. WENDY over DANNY. WENDY Danny... She leans forward and puts her arm round him. She strokes his hair. DISSOLVE TO: INT. HOTEL LOBBY - M.L.S. JACK walking L-R past reception desk. CAMERA TRACKS with him to office. He goes in and switches on lights. 99. RANGER (over radio) This is KDK 1 calling KDK 12. KDK 1 calling KDK 12. Are you receiving me? This is KDK 1 calling KDK 12. KDK 1 calling KDK 12. Do you read me? CUT TO: INT. HOTEL - OFFICE - M.L.S. JACK walks from office into inner office. CAMERA TRACKS after him. He stops by radio set. RANGER (over radio) This is KDK 1 calling KDK 12. KDK 1 calling KDK 12. Are you receiving me? CUT TO: M.S. JACK looking down at radio set. He tries to take the cover off. RANGER (over radio) KDK 1 calling KDK 12. KDK 1 calling KDK 12. Do you read me? JACK unscrews back of set and lifts cover off radio. He drops it on floor. RANGER (over radio) This is KDK 1 calling KDK 12. KDK 1 calling KDK 12. He reaches out to the set with his hand. CUT TO: M.C.S. JACK's hand touches component in set. He pulls it out. RANGER (over radio) Are you recei... He pulls two more components out of set. He rattles them in his hand, then moves out cam.L. DISSOLVE TO: 100. INT. MIAMI - HALLORAN'S APARTMENT - NIGHT - M.S. HALLORAN, phone to ear, walks R-L towards window. CAMERA PANS with him. RANGER (over phone) Good evening. Forest Service. HALLORAN (into phone) Hallo, this is Dick Halloran again. I called a while ago about the folks at the Overlook Hotel. CUT TO: INT. RANGER'S OFFICE - NIGHT - M.S. RANGER sitting at radio, phone to ear. RANGER (into phone) Oh yeah. We tried to contract them several times by radio, but they didn't answer. MAN enters from cam.R.f.g. and walks away to b.g. RANGER (into phone) Now, maybe they've got their radio turned off or they're in a place where they can't hear it. If you like me to, I'd be glad to try them again later on. CUT TO: INT. MIAMI - HALLORAN'S APARTMENT - NIGHT - M.S. HALLORAN, phone to ear. HALLORAN (into phone) Oh, that's very nice of you. I'll call you back later. Bye. He walks L-R. CAMERA TRACKS & PANS with him. He puts phone down on receiver, and puts his hand up to his head. CUT TO: BLACK FRAMES. 101. Superimposition: 8 a.m. CUT TO: EXT. SKY - DAY - L.S. D.C.10 in flight. CUT TO: INT. D.C.10 - M.C.S. HALLORAN sitting in seat. CAMERA TRACKS BACK to reveal other passengers in their seats. HALLORAN turns in his seat and looks cam.L. STEWARDESS enters from cam.L and stops beside HALLORAN. HALLORAN Pardon me, miss. What time will we get to Denver? STEWARDESS We're due to arrive at 8:20, sir. HALLORAN Thank you very much. STEWARDESS walks out cam.R. HALLORAN looks at his wristwatch. DISSOLVE TO: INT. HOTEL - LOUNGE - L.S. Shooting through entrance onto JACK seated, back to camera, typing at table in b.g. CAMERA TRACKS FORWARD onto JACK. DISSOLVE TO: EXT. AIRPORT - DAY - L.S. D.C.10 moves away along flare path, as it lands. DISSOLVE TO: EXT. DURKIN'S GARAGE - M.L.S. DURKIN at car by petrol pump. He moves away R-L to office. CUT TO: 102. INT. DURKIN'S GARAGE - M.S. MAN standing cam.L. MAN sitting reading magazine. DURKIN enters. He stamps snow off his feet and moves L-R. CAMERA PANS with him behind counter. He picks up ringing phone. DURKIN (into phone) Durkin's garage. HALLORAN (over phone) Hello, can I speak to Larry? DURKIN (into phone) Speaking. CUT TO: INT. AIRPORT - M.S. HALLORAN at telephone booth, phone to ear. HALLORAN (into phone) Hello Larry. This is Dick, Dick Halloran. CUT TO: INT. DURKIN'S GARAGE - M.S. DURKIN, phone to ear, behind counter. DURKIN (into phone) Dick, how are you doing? How's the weather down there? CUT TO: INT. AIRPORT - M.S. HALLORAN, phone to ear. HALLORAN (into phone) I'm not in Florida, Larry. I'm calling from Stapleton Airport. CUT TO: 103. INT. DURKIN'S GARAGE - M.S. DURKIN, phone to ear, leaning on counter. DURKIN (into phone) What the hell are you doing down there? CUT TO: INT. AIRPORT - M.S. HALLORAN, phone to ear. HALLORAN (into phone) Well, I just got in from Miami, and I've got to get up to the Overlook today. What's the weather like up there? CUT TO: INT. DURKIN'S GARAGE - M.S. DURKIN, phone to ear. DURKIN (into phone) Well, the snow ploughs are keeping things moving in town, but the mountain roads are completely blocked. CUT TO: INT. AIRPORT - M.S. HALLORAN, phone to ear. HALLORAN (into phone) That means I'm going to need a snowcat to get up there, Larry. Can you fix me up with one? CUT TO: INT. DURKIN'S GARAGE - M.S. DURKIN, phone to ear. 104. DURKIN (into phone) What's the big deal about getting up there today, especially in this kind of weather? CUT TO: INT. AIRPORT - M.S. HALLORAN, phone to ear. HALLORAN (into phone) Larry, just between you and me, we've got a very serious problem with the people who are taking care of the place. They've turned out to be completely unreliable assholes. Ullman phoned me last night, and I'm supposed to go up there and find out if they have to be replaced. CUT TO: INT. DURKIN'S GARAGE - M.S. DURKIN, phone to ear, looks at his watch. DURKIN (into phone) How long is it going to take you to get up here? CUT TO: INT. AIRPORT - M.S. HALLORAN phone to ear. HALLORAN (into phone) Oh about five hours. I'm gonna rent a car here at the airport. CUT TO: INT. DURKIN'S GARAGE - M.S. DURKIN, phone to ear. 105. DURKIN (into phone) Okay, Dick - I'll take care of it. CUT TO: INT. AIRPORT - M.S. HALLORAN phone to ear. HALLORAN (into phone) Oh thanks a lot, Larry. I really appreciate that. CUT TO: INT. DURKIN'S GARAGE - M.S. DURKIN phone to ear. DURKIN (into phone) That's all right. Drive carefully. He puts phone down. DISSOLVE TO: EXT. ROAD - NIGHT - M.L.S. HALLORAN's car moving forward along snow covered road. CAMERA TRACKS BACK with it. VOICE OVER RADIO Well, good morning to you, Hal and Charlie on Radio 63, KHOW Denver DISSOLVE TO: INT. HALLORAN'S CAR - NIGHT - M.C.S. HALLORAN sitting behind wheel as he drives along road L-R. VOICE OVER RADIO (CONT'D) and, Charlie, we have what you call your bad day out there. What you call your heavy snow, snowing hard throughout the eh Denver metro area. Many of the mountain passes - Wolf Creek, and Red Mountain passes are already closed... DISSOLVE TO: 106. M.S. Shooting from behind HALLORAN through windscreen as he drives along road, passing overturned truck cam.L. VOICE OVER RADIO (CONT'D) and the chain law is in effect right now at the Eisenhower Tunnel. I guess as we've just heard from the news forecast, Charlie, a few of the flights are still landing out at Stapleton International Airport, and, with these early storms like this, I guess the entire airport will probably be closed within the hour. Yeah, they're just not prepared. The storm will continue throughout the day, and the national weather service... has declared a stopmans and travelers advisory... for all areas outlying the Denver metro region - get the cows in the barn. There you go. Many businesses... CUT TO: INT. OVERLOOK HOTEL - JACK'S APARTMENT - M.S. DANNY & WENDY sitting at table watching T.V. Set cam.L. WENDY inhales cigarette and looks at her watch. She puts cigarette out cam.R. WENDY Hon, WENDY strokes his hair, then takes hold of his chin and turns his face to her. WENDY (CONT'D) ...listen to me for a minute, will you, hon? She lowers her hand from his chin and strokes his hair. WENDY I'm just going to go and talk to Daddy for a few minutes and I'll be right back. I want you to just stay here and watch your cartoons, okay? She strokes his hair. WENDY Okay, hon? 107. DANNY holds up his forefinger and wiggles it. TONY Yes, Mrs. Torrance. WENDY kisses DANNY's head. WENDY All right. Now I'll be back in just about five minutes. I'm gonna lock the door behind me. She kisses his head and strokes his hair - then stands up and walks away to door. She stops and picks up a baseball bat from cam.R. She walks away through open doorway, and exits cam.R. DISSOLVE TO: INT. HOTEL LOUNGE - M.L.S. WENDY, carrying baseball bat, walks away into Lounge. As she goes, she turns and looks about her - CAMERA TRACKS after her. WENDY Jack...? She looks about and then moves L-R past table, with his typewriter on it. She walks L-R behind pillar and appears again on the other side. CAMERA TRACKS with her. WENDY Jack...? WENDY stops and looks about. CUT TO: M.L.S. WENDY, holding bat, in f.g. She turns and walks away to JACK's typewriter on table in b.g. CUT TO: M.S. Low Angle - JACK's typewriter in f.g. WENDY moves forward into shot. She looks down at sheet of paper in typewriter. CUT TO: M.C.S. Sheet of paper in typewriter with repetition of line on it, reading: "ALL WORK AND NO PLAY MAKES JACK A DULL BOY." 108. Sheet of paper is turned up, showing repetition of line. Again sheet of paper is turned up showing repetition of line. CUT TO: M.S. Low Angle - WENDY looking down at sheet of paper in typewriter. She looks cam.R - then moves to cam.R. CUT TO: M.S. Sheets of paper, filling cardboard box. CAMERA TRACKS IN on top sheet, showing repetition of the line "ALL WORK AND NO PLAY MAKES JACK A DULL BOY." filling sheet. CUT TO: M.S. Low Angle WENDY looking down at box of paper in f.g. She holds up top sheet and looks at it - then puts it down in box. CUT TO: M.C.S. Sheets of paper filling box. WENDY's hand enters cam.L.f.g. She flicks through sheets of paper and sees they are all filled with repetition of line: "ALL WORK AND NO PLAY MAKES JACK A DULL BOY." CUT TO: M.S. Low Angle - WENDY flicking through sheets of paper in box. CUT TO: M.S. Pillar. CAMERA TRACKS R-L revealing WENDY, back to camera, looking through sheets of paper in box on table in M.L.S. JACK enters cam.R.f.g. JACK How do you like it? WENDY SCREAMS and turns round to face JACK. WENDY Jack! JACK How do you like it? JACK moves away towards table. WENDY walks R-L along table. CUT TO: M.S. JACK moves forward. CAMERA TRACKS BACK before him. 109. JACK What are you doing down here? He stops by chair and puts his hand on back of it. CUT TO: M.S. WENDY holding bat. WENDY I just eh... wanted... CUT TO: M.S. JACK - hand on back of chair. WENDY (OFF) ...to talk to you. JACK moves R-L to table. CAMERA TRACKS BACK. JACK Okay. Let's talk. JACK flicks through sheets of paper in box - then looks towards WENDY. JACK What do you want to talk about? CUT TO: M.S. WENDY holding bat. WENDY I... CUT TO: M.S. JACK WENDY (OFF) I can't really remember. JACK You can't remember. JACK moves forward L-R. CAMERA PANS with him. WENDY (OFF) No, I can't. CUT TO: 110. M.S. WENDY, holding bat, moves L-R. CAMERA PANS with her. CUT TO: INT. HOTEL - JACK'S APARTMENT - M.S. DANNY sitting at table. CAMERA TRACKS IN on him. JACK (OFF) Maybe it was about Danny. Maybe it was about him. CUT TO: INT. HOTEL - LOBBY - M.S. Blood clear from camera lens revealing furniture floating about on river of blood. JACK (OFF) I think we should discuss Danny. CUT TO: INT. HOTEL - CORRIDOR - M.S. Low Angle Door with word "MURDER" scrawled in reverse on door. CUT TO: INT. HOTEL - LOBBY - M.S. Furniture floating on river of blood towards camera. JACK (OFF) I think... we should discuss what should be done with him. CUT TO: INT. HOTEL - LOUNGE - M.S. JACK moves forward. JACK What should be done with him? CUT TO: M.S. WENDY holding bat gives nervous laugh. CUT TO: 111. M.S. JACK moves forward R-L - CAMERA PANS & TRACKS BACK with him. WENDY (OFF) I don't know. JACK I don't think that's true. I think you have some very definite ideas about what should be done with Danny... and I'd like to know what they are. CUT TO: M.S. WENDY holding bat moves back R-L. CAMERA PANS with her. She weeps. WENDY Well I... I think maybe he should be taken to a doctor. CUT TO: M.S. JACK JACK You think maybe he should be taken to a doctor? CUT TO: M.S. WENDY WENDY Yes... CUT TO: M.S. JACK JACK When do you think maybe he should be taken to a doctor? CUT TO: M.S. WENDY holding bat. WENDY As soon as possible? CUT TO: 112. M.S. JACK JACK As soon as possible. WENDY (OFF) Jack... CUT TO: M.S. WENDY holding bat. WENDY ...please... CUT TO: M.S. JACK moves forward - CAMERA TRACKS BACK before him. JACK You believe his health might be at stake? CUT TO: M.S. WENDY holding bat moves back. WENDY Ye...yes. CUT TO: M.S. JACK moves forward. CAMERA TRACKS BACK before him. JACK And you are concerned about him? CUT TO: M.S. WENDY holding bat moves back. WENDY Yes. CUT TO: M.S. JACK points to himself as he moves forward. JACK And are you concerned about me? CUT TO: M.S. WENDY holding bat moves backwards. 113. WENDY Of course I am. JACK (OFF) Of course you are. CUT TO: M.S. JACK moves forward. CAMERA TRACKS BACK before him. He points to himself and gestures. JACK Have you ever thought about my responsibilities? WENDY (OFF) Oh Jack, what are you talking about? JACK Have you ever had a single moment's thought about my responsibilities? Have you ever thought for a single solitary moment about my responsibilities to my employers? CUT TO: M.S. WENDY holding bat moves backwards. CUT TO: M.S. JACK moves forward - CAMERA TRACKS BACK before him. JACK Has it ever occurred to you that I have agreed to look after the Overlook Hotel until May the first? Does it matter to you at all that the owners have placed their complete confidence and trust in me, and that I have signed a letter of agreement, a contract, in which I have accepted that responsibility? CUT TO: M.S. WENDY holding bat moves backwards L-R to foot of stairs. CAMERA PANS with her. She moves onto first step. JACK (OFF) Do you have the slightest idea what a moral and ethical principal is? Do you? CUT TO: 114. M.S. JACK moves forward L-R. CAMERA PANS with him. JACK Has it ever occurred to you what would happen to my future, if I were to fail to live up to my responsibilities? CUT TO: M.S. WENDY holding bat backs up stairs. JACK (OFF) Has it ever occurred to you? JACK moves in cam.R.f.g. JACK Has it? WENDY swinging bat before her backs up stairs. JACK moves after her. CAMERA TRACKS FORWARD after them. WENDY Stay away from me! JACK Why? WENDY I just want to go back to my room. JACK Why? WENDY sobs. WENDY Well... I'm very confused, and I just need a chance to think things over. CUT TO: M.S. High Angle JACK over WENDY. He moves forward up stairs. She backs away. CAMERA TRACKS BACK and UP before them. JACK You've had your whole fucking life to think things over - what's good a few minutes more going to do you now? 115. WENDY Jack... stay away from me... please. JACK reaches up to her. WENDY Don't hurt me! Don't hurt me! JACK I'm not going to hurt you. WENDY swings bat in front of her as she backs up stairs. WENDY Stay away from me, JACK Wendy! WENDY Stay away...! JACK Darling, light of my life, I'm not going to hurt you. You didn't let me finish my sentence. I said 'I'm not going to hurt you... I'm just going to bash your brains in!' I'm going to bash them right the fuck in. WENDY waves bat in front of her. JACK laughs. WENDY Stay away from me! CUT TO: M.S. Low Angle WENDY swinging bat in front of her, backs up stairs. JACK follows her - CAMERA TRACKS FORWARD after them. WENDY Stay away from me! JACK I'm not going to hurt you. WENDY Stay away from me! CUT TO: M.S. High Angle JACK over WENDY. She swings bat in front of her, as she backs away and he follows her. 116. WENDY Stay away from me! Please... JACK Stop swinging the bat. WENDY Stay away from me. JACK Put the bat down, Wendy. WENDY Stop it! JACK Wendy give me the bat. WENDY Stay... stay away! JACK Give me the bat. CUT TO: M.S. Low Angle WENDY over JACK. CAMERA TRACKS FORWARD as they come up stairs. WENDY Stay away from me. JACK Give me the bat. WENDY Jack, stay away from me! JACK Stop swinging the bat. WENDY Get down. CUT TO: M.S. High Angle JACK over WENDY. She swings bat in front of her as they move up stairs. CAMERA TRACKS with them. JACK Give me the bat. WENDY Go away from me. 117. JACK Wendy... WENDY Go away. JACK Give me the bat. WENDY Go away. JACK Give me the bat. JACK reaches up with hand. WENDY hits his hand with bat. SHE SCREAMS. HE YELLS and grabs his wrist. CUT TO: M.S. Low Angle WENDY over JACK. JACK Goddamn! WENDY hits JACK on head with bat. CUT TO: M.S. High Angle JACK over WENDY - he throws up hand and leans back. CUT TO: M.L.S. Low Angle WENDY over JACK. He falls backwards down stairs. CAMERA PANS L-R with him as he somersaults down stairs, stopping face down on half landing. CUT TO: M.L.S. High Angle WENDY back to camera at top of stairs. JACK lying facedown on half landing. WENDY Oh...oh! DISSOLVE TO: INT. HOTEL - KITCHEN - M.C.S. JACK lying on his back on floor. He GROANS as he is dragged along R-L. CAMERA TRACKS with him. CUT TO: 118. INT. OVERLOOK HOTEL - KITCHEN - M.S. WENDY, holding JACK's ankles, drags him backwards to food store door. She undoes bolt, then tries to open door. JACK GROANS. CUT TO: M.S. Low Angle WENDY tugging at handle. JACK GROANS OFF. CUT TO: M.C.S. WENDY tugging at handle. She looks down cam.R. CUT TO: M.C.S. JACK, lying on his back on the floor GROANING, starts to come to. His eyes open and he lifts his head up. CUT TO: M.C.S. WENDY, tugging at door handle. CUT TO: M.C.S. WENDY's hand on handle. She takes out pin on chain in handle and tugs handle open. CUT TO: M.S. WENDY swings door open. Then she takes hold of JACK's ankles. CUT TO: M.C.S. JACK. JACK Hey... what are you doing? CUT TO: M.S. WENDY pulling JACK by the legs into food store. JACK Ohhh... what are you doing? CUT TO: M.S. High Angle JACK on his back being dragged through door into food store. 119. JACK Hey, wait a minute... What are you doing? WENDY puts his feet down and moves away to door. JACK What are you doing? CUT TO: M.S. Low Angle WENDY's feet and legs move forward from JACK - She exits cam.R.f.g. JACK rolls over onto his elbow. Door closes in f.g. CUT TO: M.S. JACK on floor in f.g. WENDY in b.g. closes the door. JACK gets onto his feet. He GROANS and grips his R. ankle, staggering against cardboard boxes. They fall down onto him. CUT TO: INT. HOTEL KITCHEN - M.S. WENDY puts pin in handle, and backs L-R away from door. CAMERA PANS with her. JACK (OFF) Hey, wait a minute! WENDY turns away and looks about. JACK (OFF) What are you doing? WENDY sees knife in rack on wall and lifts it out of rack. She turns to face food store door. JACK (OFF) Open the door. WENDY backs away to table. JACK (OFF) Goddamit! Let me out of here! Open the goddam door. WENDY, resting one hand on table, weeps as she sinks to her knees. CUT TO: 120. INT. HOTEL - FOOD STORE ROOM - M.C.S. Low Angle - JACK. JACK Wendy, listen. Let me out of here and I'll forget the whole goddam thing. It'll be just like nothing ever happened. CUT TO: INT. HOTEL - KITCHEN - M.S. WENDY kneeling by table. She is weeping and puts her hand up to her head. CUT TO: INT. FOOD STORE ROOM - M.C.S. Low Angle JACK listens to her weeping. JACK Wendy, baby... He puts hand up to head. JACK I think you hurt my head real bad. He takes his hand away from his head. JACK I'm dizzy. I need a doctor. CUT TO: INT. KITCHEN - M.S. WENDY weeping as she kneels by table. JACK (OFF) Honey... don't leave me in here. WENDY stands up. CAMERA TILTS UP with her. WENDY I'm gonna go now - WENDY walks R-L. CAMERA PANS with her to food store room door. 121. WENDY I'm going to try and get... get Danny down to the Sidewinder... in the Snowcat today. She weeps. WENDY I'll bring back a doctor. CUT TO: INT. FOOD STORE ROOM - M.C.S. JACK JACK Wendy... WENDY (OFF) I'm gonna go now. JACK Wendy... CUT TO: INT. KITCHEN - M.S. WENDY weeping turns to food store door. WENDY Yes? CUT TO: INT. FOOD STORE ROOM - M.C.S. JACK smiling. JACK You've got a big surprise coming to you. He laughs. JACK You're not going anywhere. He laughs. CUT TO: 122. INT. KITCHEN - M.S. WENDY by food store door. JACK (OFF) Go check out the Snowcat and the radio and see what I mean. He laughs off. JACK (OFF) Go check it out! He laughs off. WENDY exits cam.L. CUT TO: INT. FOOD STORE ROOM - M.C.S. JACK laughing. JACK Go check it out! He laughs. JACK Go check it out! He laughs. CUT TO: INT. HOTEL - CORRIDOR - M.L.S. WENDY carrying knife runs forward - CAMERA PANS L-R with her as she runs to door. She forces it open. CUT TO: EXT. HOTEL - M.L.S. WENDY forces door open against snow and walks out on snow. CAMERA PANS L-R with her to edge of porch. She runs away to b.g. CUT TO: M.L.S. WENDY runs L-R along front of hotel - CAMERA TRACKS with her. CUT TO: 123. INT. HOTEL - GARAGE - M.S. Snowcat in garage. WENDY seen through open doorway. She runs forward and enters garage, carrying knife. She stops at entrance. Then she moves L-R towards Snowcat, and picks up distributor cap. CAMERA TRACKS IN on her, reacting to damaged distributor cap. CUT TO: BLACK FRAMES. Superimposed over: 4 p.m. CUT TO: EXT. HOTEL - L.S. Overlook Hotel in b.g. Snow and trees in f.g. CUT TO: INT. HOTEL - FOOD STORE ROOM - M.C.S. JACK asleep on sacks. CAMERA TRACKS BACK. KNOCK ON DOOR OFF. JACK stirs and rubs his eyes. KNOCK ON DOOR OFF. Jack sits up. JACK Wendy? CAMERA TRACKS BACK as JACK feels his R. ankle. GRADY (OFF) It's Grady, Mr. Torrance. Delbert Grady. JACK Grady... oh. JACK puts his hand up on shelf. JACK Oh Grady... right. Grady... er... JACK stands up and moves R-L behind shelves towards door. CAMERA TRACKS with him. JACK Hullo Grady. JACK moves R-L to door and leans on it with his hand. 124. GRADY (OFF) Mr. Torrance, I see you can hardly have taken care of the... CUT TO: M.C.S. JACK by door. GRADY (OFF) business we discussed. He moves back R-L from door. JACK No need to rub it in, Mr. Grady. I'll deal with that situation as soon as I get out of here. GRADY (OFF) Will you indeed, Mr. Torrance. He puts his hand up to his head. GRADY (OFF) I wonder. I have my doubts. He lowers his hand from his head. GRADY (OFF) I and others have come to believe... that your heart is not in this, that you haven't the belly for it. JACK laughs. JACK Just give me one more chance to prove it, Mr. Grady. That's all I ask. GRADY (OFF) Your wife appears to be stronger than we imagined, Mr. Torrance. Somewhat more resourceful, she seems to have got the better of you. JACK For the moment, Mr. Grady. Only for the moment. 125. GRADY (OFF) I fear that you will have to deal with this matter in the harshest possible way, Mr. Torrance. I fear that is the only thing to do. JACK There's nothing I look forward to with the greater pleasure, Mr. Grady. GRADY (OFF) You give your word on that do you, Mr. Torrance? JACK nods his head. JACK I give you my word. SOUND OF BOLT BEING DRAWN & HANDLE BEING UNFASTENED OFF. CUT TO: EXT. ROAD - NIGHT - L.S. HALLORAN driving Snowcat forward along snow-covered road between banks of trees. DISSOLVE TO: INT. HALLORAN'S SNOWCAT - M.C.S. HALLORAN driving Snowcat L-R along road. DISSOLVE TO: M.S. Shooting from behind HALLORAN sitting cam.L through windscreen, with wipers working, as he moves forward along snow-covered road. Trees on either side of road. CUT TO: INT. HOTEL - JACK'S APARTMENT - NIGHT - M.C.S. DANNY moves away R-L towards his MOTHER asleep in bed. CAMERA PANS with him. TONY'S VOICE Red Rum. Red Rum. Red Rum. Red Rum. DANNY stops beside WENDY asleep in bed. 126. TONY'S VOICE Red Rum. WENDY stirs in bed. DANNY reaches out with his hand for knife on table cam.R of bed. TONY'S VOICE Red Rum. DANNY holds up knife. TONY'S VOICE Red Rum. Red Rum. He feels blade. TONY'S VOICE Red Rum. Red Rum. He takes hand away from blade. TONY'S VOICE Red Rum. He turns away from bed and holding knife up walks L-R. CAMERA PANS with him. TONY'S VOICE Red Rum. Red Rum. Red Rum. Red Rum. Red Rum. He stops by dressing table. TONY'S VOICE Red Rum. He picks up lipstick from dressing table. TONY'S VOICE Red Rum. Red Rum. He turns away from dressing table. TONY'S VOICE Red Rum. DANNY walks R-L away to door - CAMERA PANS with him. TONY'S VOICE Red Rum. Red Rum. Red Rum. CUT TO: 127. INT. OVERLOOK HOTEL - JACK'S APARTMENT - NIGHT - M.S. DANNY holding knife and lipstick at door. WENDY asleep in bed in b.g. TONY'S VOICE Red Rum. Red Rum. He starts to write with lipstick the word "MURDER" IN reverse on the door. TONY'S VOICE Red Rum. Red Rum. Red Rum. Red Rum. Red Rum. Red Rum. He finishes writing word and looks at word. TONY'S VOICE Red Rum. Red Rum. He turns and walks away to WENDY asleep in bed. TONY'S VOICE Red Rum. Red Rum. Red Rum. WENDY wakes and sits up with a SHRIEK. CUT TO: M.S. DANNY beside WENDY in bed. DANNY Red Rum. Red Rum. Red Rum. WENDY gets out of bed and takes knife away from him. WENDY Danny. Danny, stop it. Danny! DANNY Red Rum. Red Rum. Red Rum. Red Rum. WENDY puts her arms round DANNY and pulls him towards her. She looks over his shoulder. WENDY Eh... She reacts - CAMERA ZOOMS IN on her face. CUT TO: 128. M.S. WENDY's P.O.V. The word "MURDER" written by DANNY on door - reflected in mirror. CAMERA ZOOMS IN on word. SOUND OF AXE STRIKING DOOR OFF. CUT TO: M.C.S. WENDY shrieks and looks cam.L. She puts her hand up to DANNY's head. CUT TO: INT. HOTEL - CORRIDOR - M.S. JACK swings axe at front door of his apartment. CUT TO: INT. JACK'S APARTMENT - M.S. WENDY holding DANNY in her arms gets up off bed. CUT TO: INT. HOTEL - CORRIDOR - M.S. JACK swings axe at front door of apartment. CUT TO: INT. JACK'S APARTMENT - M.S. WENDY, with DANNY in her arms, looks about, then moves to door with "MURDER" in reverse written on it. She opens door and goes into bathroom, with DANNY, closing door behind her. CUT TO: INT. BATHROOM - M.S. WENDY, with DANNY clinging to her, closes the door. Then she bolts and locks it. CUT TO: INT. HOTEL CORRIDOR - M.S. JACK swings axe at door and splinters a panel. CUT TO: INT. BATHROOM - M.S. WENDY & DANNY move R-L from door to window. She drops knife in basin as she passes it. CAMERA PANS with them. 129. WENDY unbolts window and raises the bottom part. CUT TO: EXT. HOTEL - M.S. WENDY tries to force bottom part of window higher up. CUT TO: INT. BATHROOM - M.C.S. DANNY clinging to WENDY looks over his shoulder as he hears axe splintering door OFF. CUT TO: INT. HOTEL CORRIDOR - M.S. JACK swings axe at splintered panel on door. CUT TO: EXT. HOTEL BATHROOM WINDOW - M.S. WENDY looking out of window. CUT TO: L.S. HOTEL. WENDY at bathroom window. She draws back into bathroom. CUT TO: INT. HOTEL CORRIDOR - M.S. JACK swings axe at splintered panel on door. CUT TO: INT. JACK'S APARTMENT - M.S. JACK pulls piece of wood away from splintered panel, and looks through gap. CUT TO: M.C.S. JACK at gap in panel. JACK Wendy, I'm home. 130. He looks down. CAMERA TILTS DOWN - he removes a piece of wood with hand and then reaches in and unlocks door. CUT TO: INT. BATHROOM - M.S. WENDY, back to camera, lifts DANNY up to open window. CUT TO: EXT. HOTEL - L.S. WENDY pushes DANNY out through open window onto snow. She lets him go and he slides L-R down snow. He stands up at the bottom, and looks up at WENDY at window. CUT TO: M.S. WENDY struggling to get out of open window. CUT TO: INT. JACK'S APARTMENT - M.S. JACK, carrying axe, moves up stairs from open front door. CAMERA TRACKS BACK with him. CUT TO: EXT. HOTEL - M.S. WENDY struggling to get out of bathroom window. She goes back into bathroom. CUT TO: M.S. DANNY looking up cam.L at bathroom window. CUT TO: INT. JACK'S APARTMENT - BEDROOM - M.S. JACK, carrying axe, walks away across Living Room into Bedroom. CAMERA TRACKS after him. JACK Come out, come out, wherever you are! CUT TO: 131. INT. BATHROOM - M.S. WENDY trying to force window up higher. She looks over her shoulder, then puts her head down to open window. CUT TO: EXT. HOTEL - M.S. WENDY tries to get out of open window. CUT TO: INT. BEDROOM - M.C.S. JACK enters cam.R. He stops at Bathroom door. HE RAPS ON DOOR. CUT TO: EXT. HOTEL - M.S. WENDY with head out of open Bathroom window. WENDY Danny, I can't get out! CUT TO: L.S. WENDY at Bathroom window cam.L. DANNY at foot of slope of snow looking up cam.L. WENDY Run, run and hide. Run, quick! DANNY runs away L-R. CUT TO: INT. BEDROOM - M.C.S. JACK at Bathroom door. JACK Little pigs, little pigs, let me come in! CUT TO: INT. BATHROOM - M.S. WENDY by open window. She moves L-R to basin. CAMERA PANS with her. She picks up knife and moves R-L to side of door. 132. CAMERA PANS with her. CUT TO: INT. BEDROOM - M.C.S. JACK at Bathroom door. JACK Not by the hair on your chiny, chin, chin. Then I'll huff, and I'll puff CUT TO: M.S. JACK holding axe back to camera at Bathroom door. JACK (CONT'D) and I'll blow your house in. He swings axe back. CUT TO: M.S. JACK swings axe twice at Bathroom door. WENDY SCREAMS OFF. CUT TO: INT. BATHROOM - M.S. WENDY standing at side of door. JACK's axe appear through door. WENDY SCREAMS. JACK's axe repeatedly appears and splinters door. WENDY screams. WENDY Jack. Please. Don't... Don't... Head of axe appears through splintered door. WENDY SCREAMS. WENDY Don't! Oh! Please Head of axe appears again through door. WENDY SCREAMS. WENDY Stop! CUT TO: M.C.S. Splintered door panel. WENDY (OFF) Jack! 133. JACK in b.g. swings axe at door and smashes away the splintered wood. WENDY (OFF) Stop it! Stop it! CUT TO: INT. BEDROOM - M.S. JACK swings axe at splintered door. WENDY (OFF) Stop it! JACK moves L-R to gap in splintered door. WENDY SCREAMS OFF. CUT TO: INT. BATHROOM - M.C.S. JACK's face at gap in splintered door. JACK Here's Johnny! CUT TO: M.C.S. WENDY holding knife SCREAMS. CUT TO: M.C.S. JACK's smiling face at gap in splintered door. He moves backwards and reaches in through gap. CUT TO: M.C.S. JACK's hand in through gap in door to key on inside of door. CUT TO: M.S. WENDY strikes down with knife. CUT TO: M.C.S. JACK's hand on key. WENDY's knife slashes across back of his hand, and withdraws cam.R. JACK's hand moves to gap in door. JACK YELLS OFF. CUT TO: 134. M.C.S. JACK's face at gap in door. HE IS YELLING. He looks down and turns away from door. CUT TO: EXT. ROAD - NIGHT - M.S. Shooting from behind HALLORAN sitting back to camera L.f.g. through windscreen as he drives along snow-covered road. CUT TO: INT. BATHROOM - M.S. WENDY at side of door. She looks cam.R as she hears HALLORAN's Snowcat approaching OFF. CUT TO: INT. BEDROOM - M.C.S. JACK at Bathroom door - he turns round as he hears HALLORAN's Snowcat approaching OFF. He looks down cam.L. CUT TO: EXT. HOTEL - NIGHT - L.S. HALLORAN's Snowcat moves R-L along snow-covered road. CAMERA TRACKS with it revealing Overlook Hotel in b.g. CUT TO: INT. BEDROOM - M.C.S. JACK looking cam.R. He turns away to splintered door. SOUND OF SNOWCAT OFF. CUT TO: INT. BATHROOM - M.C.S. WENDY at side of door listening. CUT TO: EXT. HOTEL - L.S. HALLORAN's Snowcat moves R-L along front of Hotel. CAMERA TRACKS with it. Snowcat stops. CUT TO: 135. INT. HOTEL CORRIDOR - KITCHEN - M.L.S. DANNY runs forward along corridor. CAMERA TRACKS BACK before him. He runs into kitchen - stops and moves L-R to oven. He kneels down beside it. CAMERA PANS with him. DANNY slides oven door open R-L and crawls into it. CUT TO: M.C.S. DANNY in oven slides door R-L. CUT TO: M.S. Oven door sliding L-R. CUT TO: M.S. JACK holding axe limps R-L through kitchen. CAMERA TRACKS with him. CUT TO: INT. BATHROOM - M.S. WENDY sobbing at side of door - then she moves to door and slashes at it with knife. CUT TO: EXT. HOTEL - M.L.S. HALLORAN walking R-L. CAMERA TRACKS with him. He moves to door left open by WENDY. He pulls it open wide and exits into Hotel. CUT TO: INT. HOTEL - LOBBY - M.S. JACK holding axe moves forward - CAMERA PANS R-L and TRACKS with him. He moves away up stairs. HALLORAN (OFF) Hallo! JACK at top of stairs. HALLORAN (OFF) Anybody here? JACK moves away from stairs CAMERA TRACKS after him. JACK moves R-L and looks down at Lobby. CAMERA TRACKS after him. 136. HALLORAN (OFF) Hallo! Anybody here? CUT TO: M.L.S. HALLORAN moves forward along corridor. CAMERA TRACKS FORWARD. HALLORAN Hallo! HALLORAN moves R-L to entrance to Lobby. HALLORAN Anybody here? HALLORAN moves away into Lobby. CAMERA TRACKS FORWARD after him. HALLORAN Hallo! Hallo! Anybody here? JACK, holding axe, YELLS as he steps from behind pillar cam.R and moves towards HALLORAN. CUT TO: M.S. JACK YELLING as he swings axe at HALLORAN. CUT TO: M.C.S. HALLORAN's chest - axe pierces raincoat and blood oozes out. CUT TO: M.C.S. DANNY, with his mouth wide open. CUT TO: M.S. JACK over HALLORAN. JACK holding onto shaft of axe. CUT TO: M.C.S. HALLORAN, with his mouth wide open. CUT TO: M.C.S. DANNY, with his mouth wide open. CUT TO: 137. M.S. JACK over HALLORAN, holding onto shaft of axe. CUT TO: M.C.S. HALLORAN, with his mouth wide open, sinks down out of shot. CUT TO: M.C.S. DANNY, with his mouth wide open. CUT TO: M.C.S. JACK rises up into shot. CUT TO: M.L.S. JACK holding axe standing beside body of HALLORAN on floor. JACK limps forward. CAMERA TRACKS BACK before him. JACK Danny! Danny boy! He stops at corridor to kitchen. JACK Danny! CUT TO: M.L.S. JACK back to camera in R.f.g. DANNY climbs out of oven in b.g. JACK moves forward. DANNY exits cam.R.f.g. JACK limps away. CAMERA TRACKS IN after him. JACK Danny! Danny! CUT TO: INT. HOTEL - STAIRS - M.S. High Angle WENDY runs up stairs L-R. She pauses on landing. WENDY Danny! CAMERA TRACKS BACK before WENDY as she goes up next flight of stairs. She stops at top of stairs and looks along landing. CUT TO: M.L.S. WENDY'S P.O.V. Shooting along landing into open doorway of bedroom. 138. MAN, dressed in Dog's costume, kneeling at foot of bed. He leans back and looks towards her. MAN, in evening dress, leans forward and looks at WENDY. CAMERA ZOOMS IN on them. CUT TO: M.S. WENDY, holding knife, at top of stairs backs away - then turns and runs away along corridor, exiting cam.L at end. CUT TO: INT. LOBBY - M.L.S. JACK, holding axe, limps forward and moves L-R through entrance. He walks away to open door. CAMERA TRACKS after him. He stops in doorway. CUT TO: EXT. OVERLOOK HOTEL - NIGHT - M.L.S. Shooting from door. HALLORAN's Snowcat in b.g. CAMERA PANS L-R. CUT TO: INT. HOTEL - LOBBY - M.S. JACK, holding axe, at open doorway. He comes in and moves L-R to switch panel on wall. He opens cover and presses switches down. He leans towards open doorway and watches lights going on outside. CUT TO: EXT. HOTEL - M.S. DANNY crouched behind track of HALLORAN's Snowcat. He peers round corner. CUT TO: EXT. HOTEL - M.S. JACK limps to open doorway and stops. JACK Danny! CUT TO: 139. EXT. HOTEL - M.S. DANNY by track of HALLORAN's Snowcat. He moves away L-R. CUT TO: M.L.S. JACK limps away from door. JACK Danny! CUT TO: M.S. DANNY runs L-R and exits cam.R. CUT TO: M.S. JACK limping L-R from Hotel. CAMERA TRACKS with him. JACK Danny! CUT TO: M.L.S. DANNY running away L-R across snow. CAMERA PANS with him. He runs into Maze. CUT TO: M.S. JACK limping L-R. CAMERA TRACKS with him. Hotel in b.g. CUT TO: EXT. HOTEL - MAZE - M.S. DANNY running away through Maze. CAMERA TRACKS after him. He looks back over his shoulder. CUT TO: M.S. JACK in the Maze. He limps forward. CAMERA TRACKS BACK before him. JACK Danny! I'm coming. I'm coming Dan! He looks down. CUT TO: M.C.S. DANNY's footprints in snow. CAMERA TILTS UP & TRACKS FORWARD along DANNY's footprints. CUT TO: 140. M.C.S. DANNY's feet and legs running away through Maze. CAMERA TRACKS FORWARD. CUT TO: INT. HOTEL - M.L.S. WENDY, carrying knife, runs forward into kitchen. She looks towards stairs in b.g. WENDY Danny! WENDY stumbles forward through coffee pots and rings on floor. CAMERA TRACKS BACK before her. WENDY Oh! WENDY turns R-L. CAMERA TRACKS with her. She moves away along corridor. CAMERA TRACKS after her. She stops at corner. CAMERA CONTINUES PAST her revealing HALLORAN lying dead on floor of lobby. CUT TO: M.C.S. WENDY reacts. CUT TO: M.L.S. HALLORAN's body lying on floor. CAMERA ZOOMS IN on it. CUT TO: M.C.S. WENDY looks about. She moves away R-L. CAMERA PANS with her. She SCREAMS and turns to cam.R. CAMERA WHIP PANS L-R onto M.L.S. INJURED GUEST. CUT TO: M.S. WENDY reacting - knife trembles in her hand. CUT TO: M.C.S. INJURED GUEST, with scar running down his head and face. He raises glass he is holding. INJURED GUEST Great party, isn't it? CUT TO: 141. M.S. WENDY SCREAMING turns and runs away. CUT TO: EXT. HOTEL - MAZE - M.L.S. DANNY running away through Maze. CAMERA TRACKS after him. JACK (OFF) Danny! Danny! I'm coming! CUT TO: M.S. JACK limps forward in Maze. CAMERA TRACKS BACK before him. JACK You can't get away. I'm right behind you. CUT TO: INT. HOTEL - CORRIDOR & LOUNGE - M.L.S. WENDY runs forward. WENDY Danny! WENDY runs forward and then moves R-L. CAMERA PANS with her - she stops cam.R.f.g. and SCREAMS. CUT TO: M.C.S. WENDY looking about. CUT TO: M.L.S. SKELETONS sitting in chairs. Bottle of champagne on table in f.g. CUT TO: M.S. SKELETONS sitting at table with bottle and glasses on it. CUT TO: M.L.S. SKELETONS sitting in chairs round tables with bottles on them. CUT TO: 142. EXT. HOTEL - MAZE - M.L.S. JACK limps away through Maze. CAMERA TRACKS FORWARD after him. CUT TO: M.S. DANNY steps backwards in his footprints in snow. CUT TO: M.S. JACK limps forward laughing. JACK Danny! CUT TO: M.L.S. DANNY stepping backwards in his footprints in snow. He jumps L-R landing in snow, and crawls L-R - brushing his traces in the snow out with his hands. CUT TO: INT. HOTEL - CORRIDOR - M.L.S. WENDY holding knife runs forward. She slows down as she nears f.g. She moves R-L. CAMERA PANS with her to open door. She stops by doorway and looks along corridor towards lift doors in b.g. CUT TO: M.S. Lift doors. Blood gushes in cam.L and surges forward along floor. CUT TO: M.C.S. WENDY reacts. CUT TO: M.S. Lift doors. Blood gushes in cam.L and cam.R - surging forward in wave towards camera. CUT TO: EXT. HOTEL - MAZE - M.S. DANNY sitting leaning against side of Maze. CAMERA TRACKS R-L revealing JACK, holding axe, cam.R.b.g. He limps R-L and moves away along Maze. CUT TO: 143. M.S. DANNY's footprints in the snow - CAMERA TRACKS FORWARD and stops when footprints end. CAMERA TILTS UP to snow without footprints. CUT TO: M.C.S. JACK - he looks about then back and forwards - and finally cam.R. JACK Danny! He looks cam.L. CUT TO: M.C.S. DANNY crouched against side of Maze. JACK (OFF) Danny! CUT TO: M.S. JACK - he looks about then cam.L. JACK Danny! CUT TO: M.L.S. JACK limps L-R and exits cam.R. CUT TO: M.S. DANNY appears from behind mound of snow and moves forward R-L. CUT TO: M.L.S. DANNY's P.O.V. Empty Maze. CUT TO: M.S. DANNY moves away R-L from mound of snow. CAMERA PANS with him. He runs away along Maze. CUT TO: M.S. Footprints in snow in Maze. CAMERA TRACKS FORWARD along footprints. CUT TO: 144. M.L.S. JACK, back to camera, limping away along Maze. CAMERA TRACKS after him. CUT TO: M.S. JACK limps forward along Maze. CAMERA TRACKS BACK before him. CUT TO: M.S. CAMERA TRACKS FORWARD along Maze. CUT TO: M.S. DANNY runs forward along Maze. CAMERA TRACKS BACK. CUT TO: M.L.S. JACK moves to opening cam.R. CAMERA TRACKS FORWARD - he turns and moves R-L to opening cam.L. CAMERA PANS with him. He stops and turns - then moves L-R. CAMERA PANS with him and TRACKS after him as he limps along MAZE. CUT TO: EXT. HOTEL - M.L.S. WENDY sobbing and holding knife runs away to HALLORAN's Snowcat in b.g. CAMERA TRACKS FORWARD after her. She stops by Snowcat and looks about. CUT TO: EXT. HOTEL - MAZE - M.S. DANNY runs forward in Maze. CAMERA TRACKS BACK. DANNY looks over his shoulder and falls down in snow at entrance. CUT TO: EXT. HOTEL - M.S. WENDY standing by HALLORAN's Snowcat. She throws down knife. WENDY Danny! Danny! She runs forward and out cam.R.f.g. CUT TO: M.L.S. DANNY lying on snow at entrance to Maze. He gets up and runs R-L. CAMERA PANS with him. 145. DANNY Mommy... WENDY (OFF) Danny, come here! DANNY Mommy... Mommy...! WENDY (OFF) Danny! DANNY runs R-L into WENDY's arms as she kneels on snow. DANNY Mommy! WENDY Oh! WENDY hugs and kisses DANNY. WENDY Oh Danny! CUT TO: EXT. HOTEL - MAZE - M.S. JACK holding axe limps forward - CAMERA TRACKS BACK. JACK Danny! Where... JACK GROANS. CUT TO: EXT. HOTEL - M.L.S. WENDY holding DANNY moves R-L to HALLORAN's Snowcat. CAMERA PANS with them. WENDY opens door of Snowcat and lifts DANNY up to cab. CUT TO: EXT. HOTEL - MAZE - M.L.S. JACK GROANING staggers away along Maze - CAMERA TRACKS after him. JACK Danny! 146. He stumbles and lies in snow. He struggles up to his feet. CUT TO: EXT. HOTEL - L.S. Snowcat with lights on moves R-L in front of Hotel, then turns to cam.R. JACK SHOUTS INAUDIBLE OFF. CUT TO: EXT. HOTEL - MAZE - M.S. JACK staggers forward. CAMERA TRACKS BACK - INDISTINCT SHOUTS. He GROANS as he moves forward R-L. CUT TO: EXT. HOTEL - L.S. Snowcat drives away down road. JACK INAUDIBLE SHOUTS OFF. CUT TO: EXT. HOTEL - MAZE - M.S. JACK staggers forward along Maze. CAMERA TRACKS BACK - INDISTINCT MOANS & GROANS. CUT TO: M.L.S. JACK staggers away along Maze. CAMERA TRACKS after him. INDISTINCT MOANS. He slumps down cam.L against side of Maze. CUT TO: EXT. HOTEL - MAZE - DAY - M.C.S. JACK sitting up to his chest in snow dead. Snow and icicles on his face. CUT TO: INT. HOTEL - GOLD BALLROOM - M.L.S. Entrance to Gold Ballroom - CAMERA TRACKS FORWARD through entrance to photographs on wall. CAMERA TRACKS IN close on photograph of Guests at Ball. DISSOLVE TO: 147. M.S. Photograph of Guests at Ball. DISSOLVE TO: M.C.S. Photograph of YOUNG MAN in dinner jacket. CAMERA TILTS DOWN TO: OVERLOOK HOTEL JULY 4th BALL 1921 FADE OUT. BLACK FRAMES.