"THE SHINING."





                   Post Production Script.











                   A STANLEY KUBRICK FILM



                     EXECUTIVE PRODUCER:

                         JAN HARLAN



                  PRODUCED AND DIRECTED BY:

                       STANLEY KUBRICK



































                                                  July, 1980









                       "THE SHINING."



EXT. COLORADO MOUNTAIN (U.S.A.) - DAY - L.S.



Lake and Mountains.  CAMERA TRACKS FORWARD past island in

lake.



                                            DISSOLVE TO:



EXT. ROAD - DAY - L.S.



High Angle V.W. Car moving along road - CAMERA TILTS UP with

it.



                                            CUT TO:



EXT. COLORADO MOUNTAINS & ROAD - DAY - L.S.



Mountains and Road - V.W. Car moves away along road - CAMERA

TRACKS after it.



                                            CUT TO:



L.S.  V.W. Car moving away along road - CAMERA TRACKS after

it and passes car - TRACKING FORWARD to Mountains in b.g.



                                            CUT TO:



M.L.S. High Angle V.W. Car moves away along road - CAMERA

TILTS UP with it.  Car goes into tunnel and comes out other

side.  CAMERA TRACKS after car.



                                            CUT TO:



L.S.  V.W. Car moves along road.  CAMERA TRACKS after it.

Mountains in b.g.



                                            CUT TO:



L.S. High Angle V.W. Car moving away along road.  Mountain

in b.g.  CAMERA TRACKS after car.



                                            CUT TO:



L.S. Mountain - CAMERA TRACKS IN on Hotel.



                                            CUT TO:



Black Frames.



                       THE INTERVIEW.



                                            CUT TO:



                                                            2.





INT. OVERLOOK HOTEL/LOBBY - DAY - M.L.S.



Jack walks L-R across Lobby.  CAMERA TRACKS BACK & PANS with

him to RECEPTIONIST behind desk.



                         JACK

            Hi, I've got an appointment with Mr.

            Ullman.  My name is Jack Torrance.



                         RECEPTIONIST

            His office is the first door on the

            left.



                         JACK

            Thank you.



JACK moves away R-L.  CAMERA PANS with him and TRACKS IN

after him through Secretary's office to open door of ULLMAN's

office - revealing ULLMAN seated at desk with SECRETARY

standing beside him.



                         JACK

            Mr. Ullman?



                         ULLMAN

            Yes?



                         JACK

            I'm Jack Torrance.



                         ULLMAN

            Oh, well - come on in Jack.



ULLMAN stands up and hands book to SECRETARY, walking round

side of desk.  JACK moves into office.  CAMERA TRACKS IN

after him.  He shakes hands with ULLMAN.



                         ULLMAN

            Very nice to meet you.



                         JACK

            Nice to meet you, Mr. Ullman.



ULLMAN points to SECRETARY.



                         ULLMAN

            This is my secretary, Susie.



                         SECRETARY

            Hallo.



                         JACK

            Susie, how do you do?



                                                            3.





                         ULLMAN

            Have any trouble finding us?



                         JACK

            Oh, no problem at all.  I made the

            trip in three and a half hours.



                         ULLMAN

            Well, that's very good time, very

            good.  Please sit down a minute.



ULLMAN points to chair cam.R.  JACK sits cam.R.f.g.  ULLMAN

walks behind desk.



                         ULLMAN

            JAck, just make yourself at home.

            Would you like some coffee?



                         JACK

            Well, if you are going to have

            some, I wouldn't mind.  Thanks.



                         ULLMAN

            Susie.



                         SECRETARY

            Sure.



                         ULLMAN

            Oh, and would you ask Bill Watson

            to join us?



                         SECRETARY

            Yes, I will.



ULLMAN sits behind desk.  SUSIE walks forward to R.f.g.



                                            DISSOLVE TO:



EXT. APARTMENT BUILDING/BOULDER - DAY - L.S.



Apartment Building - cars parked in front of it.  Mountain

in b.g.  CAMERA TRACKS IN on Apartment Building.



                                            CUT TO:



INT. JACK & WENDY'S APARTMENT IN BOULDER (USA) / LIVING

ROOM - DAY - M.L.S.



DANNY is sitting at table eating a sandwich.  WENDY sitting

cam.R reading book.



                         DANNY

            Mom...



                                                            4.





                         WENDY

            Yeah.



                         DANNY

            Do you really want to go and live

            in that hotel for the winter?



                         WENDY

            Sure, Danny, it will be lots of fun.



                         DANNY

            Yeah, I guess so.  Anyway, there's

            hardly anybody to play with around

            here.



                         WENDY

            Yeah, I know.  It always takes a

            little time to make new friends.



                                            CUT TO:



M.S. DANNY eating sandwich.



                         DANNY

            Yeah, I guess so.



                                            CUT TO:



M.S. WENDY



                         WENDY

            What about Tony?  He's looking

            forward to the hotel, I bet.



                                            CUT TO:



M.S. DANNY while eating sandwich wiggles forefinger of his

L.hand and speaks with different voice.



                         TONY

            NO, I ain't Mrs. Torrance.



                                            CUT TO:



M.S. WENDY



                         WENDY

            Oh come on, Tony.  Don't be silly.



                                            CUT TO:



M.S. DANNY wiggles forefinger of L.hand and speaks with

different voice.



                                                            5.





                         TONY

            I don't want to go there, Mrs.

            Torrance.



                                            CUT TO:



M.S. WENDY



                         WENDY

            Well, how come you don't want to go?



                                            CUT TO:



M.S. DANNY wiggles forefinger of L.hand and speaks with

different voice.



                         TONY

            I just don't.



                                            CUT TO:



M.S. WENDY.



                         WENDY

            Well, let's just wait and see.

            We're all gonna have a real good

            time.



                                            DISSOLVE TO:



INT. OVERLOOK HOTEL/ULLMAN'S OFFICE - DAY - M.L.S.



JACK over ULLMAN seated at desk.  BILL WATSON enter office.

JACK rises and shakes hands with him.



                         ULLMAN

            Bill, I'd like you to meet Jack

            Torrance.



                         WATSON

            How do you do?



                         JACK

            Bill, how do you do?



                         WATSON

            Pleased to meet you.



                         JACK

            Pleasure to meet you.



                         ULLMAN

            Grab a chair Bill, and join in.



                                                            6.





WATSON & JACK sit down.



                         ULLMAN

            Jack is going to take care of the

            Overlook for this winter.  I would

            like you to take him around the

            place as soon as we are through.



                         WATSON

            Fine.



                         ULLMAN

            Jack is a schoolteacher.



                                            CUT TO:



M.C.S. JACK.



                         JACK

            Eh - formerly a school-teacher.



                         WATSON (OFF)

            What line of work are you in now?



                         JACK

            I'm a writer um... Teaching has

            been more or less a way of making

            ends meet.



                                            CUT TO:



M.C.S. WATSON.



                         WATSON

            Well this ought to be quite a

            change for you.



                                            CUT TO:



M.C.S. JACK



                         JACK

            Well, I'm looking for a change.



                         ULLMAN (OFF)

            Our people in Denver recommended

            Jack very highly, and, for once, I

            agree with them.



                                            CUT TO:



M.S. ULLMAN



                                                            7.





                         ULLMAN

            Let's see, where were we?  Yes.  I

            was about to explain that eh... our

            season here runs from oh May 15th

            to October 30th and then we close

            down completely until the following

            May.



                                            CUT TO:



M.C.S. JACK



                         JACK

            Do you mind if I ask why you do

            that?  It seems to me that the

            skiing up here would be fantastic.



                         ULLMAN (OFF)

            Oh, it sure would be



                                            CUT TO:



M.S. ULLMAN



                         ULLMAN (CONT'D)

            but the problem is the enormous

            cost it would be to keep the road

            to the Sidewinder open.  It's a...

            It's a 25 mile stretch of road -

            gets an average of 20 feet of snow

            during the winter, and there's just

            no way to make it economically

            feasible to keep it clear.  When

            the place was built in 1907, there

            was very little interest in winter

            sports, and this site was chosen

            for its seclusion and scenic beauty.



                                            CUT TO:



M.L.S. ULLMAN over WATSON & JACK.



                         JACK

            Well, it's certainly got plenty of

            that.



JACK laughs.



                         ULLMAN

            That's right.  And did they give

            you any idea in Denver about what

            the job entails?



                                                            8.





                         JACK

            Only in a very general way.



                         ULLMAN

            Well...



                                            CUT TO:



M.S. ULLMAN



                         ULLMAN (CONT'D)

            ...the winters can be fantastically

            cruel, and the basic idea is

            to...to cope with the very costly

            damage and depreciation which can

            occur.  And this consists mainly of

            running the boiler, heating

            different parts of the hotel on a

            daily rotating basis, repairing

            damage as it occurs and doing

            repairs, so that the elements can't

            get a foothold.



                                            CUT TO:



M.C.S. JACK



                         JACK

            Well, that sounds fine to me.



ULLMAN grunts off.



                                            CUT TO:



M.S. ULLMAN



                         ULLMAN

            Physically, it's not a very

            demanding job.  The only thing that

            can get a bit trying up here during

            the winter is eh... the tremendous

            sense of isolation.



                                            CUT TO:



M.C.S. JACK



                         JACK

            Well, that just happens to be

            exactly what I'm looking for.  I'm

            eh... I'm outlining a new writing

            project, and eh...

                         (MORE)



                                                            9.





                         JACK (CONT'D)

            five months of peace is just what I

            want.



                                            CUT TO:



M.S. ULLMAN



                         ULLMAN

            That's very good Jack, because eh...

            for some people eh solitude and

            isolation...



                                            CUT TO:



M.C.S. JACK.



                         ULLMAN (OFF) (CONT'D)

            can of itself be a problem.



                         JACK

            Not for me.



                                            CUT TO:



M.S. ULLMAN.



                         ULLMAN

            How about your wife and son?  How

            do you think they'll take to it?



                                            CUT TO:



M.C.S. JACK.



                         JACK

            They'll love it.



                         ULLMAN (OFF)

            Great...



                                            CUT TO:



M.S. ULLMAN



                         ULLMAN

            Well, before I turn you over to

            Bill, there is one other thing I

            think we should talk about.  I

            don't want to sound melodramatic,

            but it is something that's...

                         (MORE)



                                                           10.





                         ULLMAN (CONT'D)

            been known to give a few people

            second thoughts about the job.



                                            CUT TO:



M.C.S. JACK



                         JACK

            I'm intrigued.



                                            CUT TO:



M.S. ULLMAN.



                         ULLMAN

            I don't suppose they eh told you

            anything in Denver about the

            tragedy we had up here during the

            winter of 1970?



                                            CUT TO:



M.C.S. JACK shakes his head.



                         JACK

            I don't believe they did.



                                            CUT TO:



M.S. BILL WATSON.



                         ULLMAN (OFF)

            Well, my predecessor in this job



                                            CUT TO:



M.S. ULLMAN.



                         ULLMAN (CONT'D)

            hired a man named Charles Grady, as

            the winter caretaker.  He came up

            here with his wife and two little

            girls of about eight or ten.  And

            he had a good employment record,

            good references and from what I've

            been told, I mean, he seemed like a

            completely normal individual.  But

            at some point during the winter, he

            must have suffered some kind of a

            complete mental breakdown.

                         (MORE)



                                                           11.





                         ULLMAN (CONT'D)

            He ran amok and eh... killed his

            family with an axe,



                                            CUT TO:



M.C.S. JACK



                         ULLMAN (OFF) (CONT'D)

            stacked them neatly in one of the

            rooms in the West Wing, and then he

            um... then he put eh both barrels

            of his shotgun in his mouth.



                                            CUT TO:



M.S. ULLMAN sitting behind desk.



                         ULLMAN (CONT'D)

            The police eh... they thought that

            it was what the old-timers used to

            call cabin-fever, a kind of

            claustrophobic reaction which can

            occur when people are



                                            CUT TO:



M.C.S. JACK



                         ULLMAN (OFF) (CONT'D)

            shut in together over long periods

            of time.



                         JACK

            Well, that is eh quite a story.



                                            CUT TO:



M.S. ULLMAN laughs.



                         ULLMAN

            Yes, it is.  Oh, it's still hard

            for me to believe that it actually

            happened here, but it did and eh...

            I think you can appreciate why I

            wanted to tell you about it.



                                            CUT TO:



M.C.S. JACK.



                                                           12.





                         JACK

            Ah, I certainly can, and eh... I

            also understand why your people in

            Denver left it for you to tell me.



JACK laughs.



                                            CUT TO:



U.S. ULLMAN laughing.



                         ULLMAN

            Well, obviously some people can be



                                            CUT TO:



M.C.S. JACK.



                         ULLMAN (OFF) (CONT'D)

            put off by the idea of staying

            alone in a place where something

            like that actually happened.



                         JACK

            Well, you can rest assured Mr.

            Ullman, that's not going to happen

            with me, and eg as far as my wife

            is concerned, I am sure she'll be

            absolutely fascinated when I tell

            her about it.  She's a confirmed

            ghost story and horror film addict.



                                            DISSOLVE TO:



INT. BOULDER APARTMENT/BATHROOM - DAY - M.S.



Shooting through open door - DANNY standing on stool at basin.



                         DANNY

            Tony, do you think Daddy will get

            the job?



                         TONY (OFF)

            Yeah, he did.  He's gonna phone

            Wendy up in a few minutes to tell

            her.



                                            CUT TO:



INT. BOULDER KITCHEN/LIVING ROOM - DAY - M.S.



WENDY back to camera washing dishes at sink.  PHONE RINGS

OFF.  She dries her hand and puts carton in fridge.  Then

moves L-R into Living Room - CAMERA PANS with her.



                                                           13.





She picks up telephone receiver.



                         WENDY

                   (into phone)

            Hello.



                                            CUT TO:



INT. HOTEL - LOBBY - DAY - M.L.S.



JACK leaning on counter at reception desk, speaking into

phone.



                         JACK

                   (into phone)

            Hi, babe.



                         WENDY

                   (over phone)

            Hi, hon.  How's it going?



                         JACK

                   (into phone)

            Great.  Look, I'm at the hotel and

            I still have an awful lot to go

            through.  I don't think I can get

            home before nine or ten.



                                            CUT TO:



INT. BOULDER APARTMENT/LIVING ROOM - DAY - M.S.



WENDY sitting on back of chair phone to ear.



                         WENDY

                   (into phone)

            Sounds like you got the job?



                                            CUT TO:



INT. HOTEL - LOBBY - DAY - M.L.S.



JACK leaning on reception desk with phone to ear.



                         JACK

                   (into phone)

            Right it's a beautiful place.  You

            and Danny are gonna love it.



INT. BOULDER APARTMENT/BATHROOM - DAY - M.S.



DANNY standing on stool by basin.  He is reflected in mirror.

CAMERA TRACKS IN on his reflection in mirror.



                                                           14.





                         DANNY

            Tony, why don't you want to go to

            the hotel?



DANNY wiggles forefinger.



                         TONY (OFF)

            I don't know.



                         DANNY

            You do too know, now come on tell me.



DANNY wiggles forefinger.



                         TONY (OFF)

            I don't want to.



                         DANNY

            Please...



DANNY wiggles forefinger.



                         TONY (OFF)

            No.



                         DANNY

            Now Tony, tell me.



                                            CUT TO:



INT. HOTEL - LOBBY - M.L.S.



Shooting towards doors of lifts.  Blood gushes in from

L.side of lift and in from corridors L. and R. of lift

doors - surging towards camera.



                                            CUT TO:



INT. HOTEL/CORRIDOR - M.S.



Two Little GRADY girls holding hands.



                                            CUT TO:



INT. HOTEL/LOBBY - M.L.S.



Blood gushing in from corridors L-R of lift doors and

surging towards camera.



                                            CUT TO:



                                                           15.





INT. BOULDER APARTMENT - M.C.S.



DANNY screaming.



                                            CUT TO:



INT. HOTEL/LOBBY - M.L.S.



Blood gushing in from corridors L-R of lift doors and

surging forward.  The blood gushes up into camera lens

causing black out.



                         DOCTOR (OFF)

            Now hold your eyes still so that I

            can see.



                                            CUT TO:



INT. BOULDER APARTMENT/DANNY'S BEDROOM - DAY - M.S.



DOCTOR bending over DANNY lying on top of his bed.  She is

examining his eyes.  WENDY standing at foot of bed.



                         DOCTOR

            That's good, now the other one.

            Good boy.



DOCTOR straightens up.  She puts instrument away in case and

closes it.  Then she sits on bed beside DANNY.



                         DOCTOR

            Now Danny, when you were brushing

            your teeth, do you remember if you

            smelled anything funny, or saw any

            bright flashing lights, or anything

            at all strange?



                                            CUT TO:



M.C.S. DANNY.



                         DANNY

            No.



                         DOCTOR (OFF)

            Do you remember when you were

            brushing your teeth?



                         DANNY

            Yes.



                                            CUT TO:



                                                           16.





M.S. DOCTOR sitting on bed beside DANNY.  WENDY standing at

foot of bed.



                         DOCTOR

            What's the next thing you remember

            after you were brushing your teeth?



                                            CUT TO:



M.C.S. DANNY.



                         DANNY

            Mommy saying, 'Wake up, wake up,

            wake up Danny, wake up.'



                                            CUT TO:



M.S. DOCTOR sitting on bed beside DANNY.  WENDY standing at

foot of bed.



                         DOCTOR

            Now Danny, can you remember what

            you were doing just before you

            started brushing your teeth?



                                            CUT TO:



M.C.S. DANNY



                         DANNY

            Talking to Tony.



                                            CUT TO:



M.C.S. DOCTOR



                         DOCTOR

            Is Tony one of your animals?



                                            CUT TO:



M.C.S. DANNY



                         DANNY

            No.  It's the little boy that lives

            in my mouth.



                                            CUT TO:



M.C.S. WENDY



                         WENDY

            Tony is his imaginary friend.



                                                           17.





                         DOCTOR (OFF)

            Oh,



                                            CUT TO:



M.C.S. DOCTOR



                         DOCTOR (CONT'D)

            if you were to open your mouth now,

            could I see Tony?



                                            CUT TO:



M.C.S. DANNY



                         DANNY

            No.



                                            CUT TO:



M.C.S. DOCTOR



                         DOCTOR

            Why not?



                                            CUT TO:



M.C.S. DANNY



                         DANNY

            Because he hides.



                                            CUT TO:



M.C.S. DOCTOR



                         DOCTOR

            Where does he go?



                                            CUT TO:



M.C.S. DANNY



                         DANNY

            To my stomach.



                                            CUT TO:



M.C.S. DOCTOR



                         DOCTOR

            Does Tony ever tell you to do things?



M.C.S. DANNY



                                                           18.





                         DANNY

            I don't want to talk about Tony

            anymore.



                                            CUT TO:



M.S. DOCTOR sitting on bed beside DANNY.  She pats his leg

and stands up.  WENDY at foot of bed.



                         DOCTOR

            Okay.  That's fine.  All right Danny.



DOCTOR puts case and stethoscope in her shoulder bag.



                         DOCTOR

            Now I'm going to ask you to do me a

            favor, and stay quietly in bed for

            the rest of the day.  Okay?



                         DANNY

            Do I have to?



                         DOCTOR

            Yes, I'd like you to.



                         WENDY

            We're just going to go into one of

            the other rooms for a few minutes

            and talk - then I'll come back and

            check on you, okay?



                         DANNY

            Okay.



                         DOCTOR

            Goodbye.



WENDY & DOCTOR move R-L to open door.  DOCTOR goes into the

corridor.



                                            CUT TO:



INT. CORRIDOR/LIVING ROOM - DAY - M.S.



DOCTOR standing in corridor.  WENDY moves out of DANNY's

room and closes the door.  She turns to DOCTOR.



                         WENDY

            Shall we go into the living room?



                         DOCTOR

            Yes.



                                                           19.





DOCTOR & WENDY walk forward along the corridor - CAMERA

TRACKS BACK before them and PANS R-L with them to Living

Room.  WENDY points to sofa.



                         WENDY

            Please...



                         DOCTOR

            Thank you.



DOCTOR moves to sofa and sits down - WENDY sits in chair

cam.R.



                         DOCTOR

            Mrs. Torrance, I don't think you

            have anything to worry about.  I'm

            quite sure there is nothing

            physically wrong with Danny.



                                            CUT TO:



M.C.S. WENDY.



                         WENDY

            Oh, yeah.  Oh, yeah, he seems

            absolutely fine now, but you should

            have seen him.



                                            CUT TO:



M.S. DOCTOR over WENDY.  DOCTOR leans back on sofa.



                         DOCTOR

            Oh I know.  Kids can scare you to

            death, but believe me these episodes

            are not at all uncommon, and they

            look much worse than they are.



                                            CUT TO:



M.S. WENDY over DOCTOR.



                         WENDY

            But eh what was the matter with him?



                         DOCTOR

            Mrs. Torrance, most of the time

            these episodes with kids are never

            explained.  They are brought on by

            emotional factors, and they rarely

            occur again.



                                            CUT TO:



                                                           20.





M.S. DOCTOR.



                         DOCTOR

            They're more akin to auto-hypnosis,

            a kind of self induced trance.  If

            it re-occurs which I doubt



                                            CUT TO:



M.S. WENDY takes cigarette out of packet.



                         DOCTOR (OFF) (CONT'D)

            you can always think about having

            some tests done.



WENDY holds cigarette packet out towards DOCTOR.



                         DOCTOR (OFF)

            No thank you.



She puts packet down on table.



                         WENDY

            Oh, I'm...I'm sure you're right.



She lights cigarette from lighter.



                                            CUT TO:



M.S. DOCTOR.



                         DOCTOR

            Have you been in Boulder long, Mrs.

            Torrance?



                                            CUT TO:



M.C.S. WENDY.



                         WENDY

            Only about three months.  Eh we're

            from Vermont.  My husband was

            teaching school there.



                                            CUT TO:



M.S. DOCTOR



                         DOCTOR

            Did the appearance of Danny's

            imaginary friend...?



                                            CUT TO:



                                                           21.





M.S. WENDY over DOCTOR.



                         WENDY

            Tony.



                         DOCTOR

            Did Tony's first appearance happen

            to coincide with your arrival here?



                                            CUT TO:



M.C.S. WENDY



                         WENDY

            No, um let's see I guess Danny

            started talkin to Tony about the

            time we put him into nursery school.



                                            CUT TO:



M.S. DOCTOR over WENDY.



                         DOCTOR

            Did he adjust well to school?



                                            CUT TO:



M.C.S. WENDY - she shakes her head.



                         WENDY

            No.  He didn't like it too much at

            first, and then he had an injury,

            so we kept him out for a while,

            and, yeah, I...I guess that's about

            the time when I first noticed that

            he was talking to Tony.



                                            CUT TO:



M.S. DOCTOR over WENDY.



                         DOCTOR

            What sort of injury did he have?



                                            CUT TO:



M.C.S. WENDY



                         WENDY

            Ah he dislocated his shoulder.



WENDY inhales.



                                                           22.





                         DOCTOR (OFF)

            How did he manage to do that?



                         WENDY

            Well it's just one of those things.

            You know... purely an accident, um.

            My husband had oh... been drinking,

            and he came home about three hours

            late, so he wasn't exactly in the

            greatest mood that night.  And well

            Danny had scattered some of his

            school papers all over the room...

            and my husband grabbed his arm, you

            know, and pulled him away from them.

            It's...it's just the sort of thing

            you do a hundred times with a

            child - you know, in a park or on

            the streets - but on this particular

            occasion my husband just... used

            too much strength and he injured

            Danny's arm.



                                            CUT TO:



M.S. DOCTOR



                         WENDY (OFF) (CONT'D)

            Anyway, something good did come out

            of it all because he said:



                                            CUT TO:



M.C.S. WENDY



                         WENDY (CONT'D)

            "Wendy, I'm never gonna touch

            another drop and if I do you can

            leave me", and he didn't and he

            hasn't had any alcohol in eh five

            months.



                                            CUT TO:



BLACK FRAMES.



Superimposed Title over:



CLOSING DAY.



                                            CUT TO:



                                                           23.





EXT. COLORADO MOUNTAINS - DAY - L.S.



High Angle Trees on side of Mountain - CAMERA TRACKS FORWARD

over them to Jack's car moving away along road.



                                            CUT TO:



INT. JACK'S CAR - DAY - M.S.



WENDY sitting beside JACK as he drives along Mountain Road.

DANNY, between them, is leaning on backs of their seats.

WENDY yawns.



                         WENDY

            Boy, we must be really high up.

            The air feels so different.



                         JACK

            Uh...huh.



                         DANNY

            Dad?



                         JACK

            Yes?



                         DANNY

            I'm hungry.



                         JACK

            Well you should have eaten your

            breakfast.



                         WENDY

            We'll get something as soon as we

            get to the hotel, okay?



                         DANNY

            Okay, Mom.



                         WENDY

            Hey, wasn't it around here that the

            Donner party got snowbound?



                         JACK

            I think that was farther west in

            the Sierras.



                         DANNY

            What was the Donner party?



                                                           24.





                         JACK

            There were a party of settlers in

            the covered wagon times.  They got

            snowbound one winter in the

            mountains.  They had to resort to

            cannabilism in order to stay alive.



                         DANNY

            You mean they ate each other up?



                         JACK

            They had to, in order to survive.



                         WENDY

            Jack...



                         DANNY

            Don't worry, Mom.  I know all about

            cannabilism, I saw it on T.V.



                         JACK

            See, it's okay.  He saw it all on

            the television.



                                            DISSOLVE TO:



EXT. COLORADO MOUNTAINS - DAY - L.S.



High Angle JACK's car moving away along road on side of

mountain - CAMERA TRACKS after it.



                                            CUT TO:



EXT. OVERLOOK HOTEL - DAY - L.S.



Cars parked in front of Hotel.



                                            CUT TO:



INT. OVERLOOK HOTEL/LOBBY - M.L.S.



Man cleaning floor.  CAMERA TRACKS L-R.  WATSON & ULLMAN

walk forward from b.g.



                         ULLMAN

            What time does the plane leave?



                         WATSON

            Eight thirty.



                         ULLMAN

            Well, that still gives up plenty of

            time to go over everything first.



                                                           25.





Two Girls carrying luggage enter cam.R and walk away to b.g.



                         GIRLS

            Goodbye Mr. Ullman.



                         ULLMAN

            Goodbye.



ULLMAN & WATSON walk L-R to JACK sitting in chair.



                         ULLMAN

            Good morning Jack.  I hope you

            haven't been waiting too long.



                         JACK

            No problem.  In fact we had time to

            grab a bite to eat.



JACK stands up.



                         ULLMAN

            Good.  Glad you made it before they

            shut down the kitchen.  Is your

            family having a look around?



                         JACK

            No, my son's discovered the games

            room.



                         ULLMAN

            Oh... Has your luggage been brought

            in?



JACK points to luggage.



                         JACK

            Right there.



                         ULLMAN

            Oh fine.  Well in view of all the

            ground that we to cover today, I

            suggest we go and have a quick look

            at your apartment and then get

            started straight away.



ULLMAN turns to WATSON.



                         ULLMAN

            Bill, would you have the Torrances'

            things brought in their apartment.



                         WATSON

            Fine.



                                                           26.





WATSON walks out cam.L.



                         JACK

            I'd better collect my family first.



                         ULLMAN

            Oh...



ULLMAN laughs and they move out cam.L.



                                            DISSOLVE TO:



INT. HOTEL/COLORADO LOUNGE - DAY - M.L.S.



ULLMAN, followed by WENDY, JACK & WATSON, moves out of lift

cam.R.  They walk R-L across Lounge.  CAMERA TRACKS with them.



                         ULLMAN

            This is our Colorado Lounge.



                         WENDY

            Oh, it's beautiful.

                   (to Jack)

            My God, this place is fantastic,

            isn't it hon?



                         JACK

            Sure is.



                         WENDY

            God, I've never seen anything like

            this before.  Are all of these

            Indian designs authentic?



                         ULLMAN

            Yes, I believe they are based

            mainly on Navajo and Apache motifs.



                         WENDY

            Oh well they're really gorgeous.

            As a matter of fact this is probably

            the most gorgeous hotel I've ever

            seen.



ULLMAN laughs.



                         ULLMAN

            Oh this old place has had an

            illustrious past.  In its heyday it

            was one of the stopping places for

            the jet set,



They reach corner and turn, walking towards camera.



                                                           27.





                         ULLMAN (CONT'D)

            even before anybody knew what a jet

            set was.  We've had four presidents

            who stayed here, lots of movie stars.



                         WENDY

            Royalty?



                         ULLMAN

            All the best people.



                                            CUT TO:



INT. HOTEL GAMES ROOM - DAY - M.C.S.



DANNY throwing darts - CAMERA TRACKS BACK & PANS L-R with

him as he walks to the dartboard.  He climbs up on chair and

pulls two darts out.  He looks cam.L.  CAMERA ZOOMS IN on him.



                                            CUT TO:



M.S. Two GRADY girls, holding hands, standing near open door.



                                            CUT TO:



M.C.S. DANNY.



                                            CUT TO:



M.S.  Two GRADY girls, holding hands.  They look at one

another, then turn and exit out through open doorway.



                                            CUT TO:



M.C.S. DANNY.



                                            CUT TO:



INT. HOTEL/CARETAKER'S APARTMENT CORRIDOR - DAY - M.S.



ULLMAN leads WENDY & JACK forward along corridor to

Caretaker's Apartment.



                         ULLMAN

            This is the staff wing of the hotel.

            None of the other bedrooms are

            heated during the winter.



                         WENDY

            Oh!



Two Girls carrying bags enter from cam.L.



                                                           28.





                         GIRLS

            Goodbye Mr. Ullman.



                         ULLMAN

            Goodbye girls.



ULLMAN waves to Girls and moves cam.R into JACK's apartment.

WENDY & JACK follow him.



                         ULLMAN

            And here are your quarters.



                                            CUT TO:



INT. HOTEL/JACK'S APARTMENT - DAY - M.S.



ULLMAN, followed by WENDY and JACK, move up steps.  ULLMAN

points to open door cam.R.



                         ULLMAN

            Living Room, bedroom, bathroom, and

            a small bedroom for your son.



JACK leans forward and looks in small bedroom cam.L.  He

turns and looks cam.R. at ULLMAN.



                         JACK

            Perfect for a child.



                         WENDY

            Yeah.



                         ULLMAN

            Yes.



They move into apartment.  JACK & WENDY move away through

living room into bedroom - CAMERA TRACKS FORWARD after them.



                         ULLMAN (OFF)

            Well the place is very nicely self-

            contained, easy to keep.



JACK feels bed.



                         JACK

            Cosy.



JACK & WENDY move away and enter bathroom - CAMERA TRACKS

after them.



                                                           29.





                         ULLMAN (OFF)

            Yes, very cosy for a family, and if

            you feel like spreading out you

            have the rest of the hotel to move

            around in.



                         JACK

            Well, it's very... homely.



                         WENDY

            Yeah.



                                            DISSOLVE TO:



EXT. HOTEL/THE MAZE - DAY - L.S.



ULLMAN leading WENDY, JACK & WATSON R-L along outside of

Maze.  CAMERA TRACKS & PANS with them.



                         ULLMAN

            This is our famous hedge maze.

            It's quite an attraction around

            here.  The walls are thirteen feet

            high and the hedges are about as

            old as the hotel itself.  It's a

            lot of fun,



They walk from end of Maze towards Hotel in b.g.



                         ULLMAN (CONT'D)

            but I wouldn't go in there unless I

            had an hour to spare to find my way

            out.



Laughter.



                         WENDY

            When was the Overlook built?



                                            CUT TO:



M.L.S. ULLMAN leads WENDY, JACK & WATSON L-R along front of

Hotel - CAMERA TRACKS with them.



                         ULLMAN

            Ah... construction started in 1907.

            It was finished in 1909.  The site

            is supposed to be located on an

            Indian burial ground, and I believe

            they actually had to repel a few

            Indian attacks as they were building

            it.



ULLMAN points to red Snowcat at entrance of garage.



                                                           30.





                         ULLMAN

            That's our Snowcat.  Can you both

            drive a car?



                         JACK & WENDY

                   (together)

            Yes.



They walk towards SNOWCAT.



                         ULLMAN

            That's fine because basically the

            Snowcat operates very much like a

            car and it won't take you long to

            get the hang of it.



                                            DISSOLVE TO:



INT. HOTEL BALLROOM/CORRIDOR - DAY - M.S.



ULLMAN, JACK, WATSON & WENDY walk forward along corridor -

CAMERA TRACKS BACK before them.



                         ULLMAN

            As a matter of fact we eh...

            brought a decorator in from Chicago

            just last year to refurbish this

            part of the hotel.



                         WENDY

            Oh well he sure did a beautiful job.

            Pink and gold are my favorite colors.



ULLMAN leads WENDY, JACK & WATSON L-R into Gold Ballroom -

CAMERA TRACKS with them.  Men in b.g. cleaning Ballroom.



                         ULLMAN

            Oh...well this is our gold ballroom.



                         WENDY

            Oh, I'll say.



ULLMAN leads them L-R across Ballroom to closed bar.



                         ULLMAN

            We can accommodate up to three

            hundred people here very comfortably.



                         WENDY

            Boy, I bet you we could really have

            a good party in this room, huh hon?



                                                           31.





                         ULLMAN

            I'm afraid you're not going to do

            too well here unless you've brought

            your own supplies.  We always

            remove all the booze from the

            premises when we shut down:



He points to shuttered bar.



                         ULLMAN

            that reduces the insurance that we

            normally have to carry.



DICK HALLORAN walks forward from b.g.



                         JACK

            We don't drink.



ULLMAN laughs.



                         ULLMAN

            Well then, you're in luck.



ULLMAN waves to HALLORAN/



                         ULLMAN

            Oh Dick, come on over and say hello

            to Mr. and Mrs. Torrance.



                         HALLORAN

            Sure.



                         ULLMAN

            This is Dick Halloran, our Head Chef.



JACK shakes hands with DICK.



                         JACK

            Mr. Halloran, I'm Jack, and this is

            my wife, Winifred.



                         HALLORAN

            Glad to meet you, Jack.



HALLORAN shakes hands with WENDY.



                         HALLORAN

            Glad to meet you, Winifred.



                         WENDY

            Nice to meet you.



                                                           32.





                         ULLMAN

            The Torrances are going to take

            care of the Overlook for us this

            winter.



                         HALLORAN

            Oh, that's just great.  How do you

            folks like our hotel so far?



                         WENDY

            Oh it's just wonderful.



WENDY waves out cam.L.



                         WENDY

            Hi Danny!



                                            CUT TO:



INT. HOTEL - BALLROOM - DAY - M.S.



SUSIE holding DANNY's hand.  They walk L-R across Ballroom.

CAMERA TRACKS with them to JACK, HALLORAN, WATSON, WENDY &

ULLMAN.



                         SUSIE

            I found him outside looking for you.



                         JACK

                   (OFF)

            Danny, did you get tired

                   (IN SHOT)

            of bombing the universe?



                         DANNY

            Yeah.



                         WENDY

            Danny, come on over here.



DANNY walks L-R from SUSIE to WENDY.  WENDY looks at SUSIE.



                         WENDY

            Thanks.



                         ULLMAN

            Thank you, Susie.



SUSIE exits cam.L.  ULLMAN turns to HALLORAN.



                                                           33.





                         ULLMAN

            Dick, if you're ready to do it now,

            I think it would be a good idea if

            you could show Mrs. Torrance the

            kitchen, while I continue on with

            Jack.



                         HALLORAN

            It will be a pleasure.  Right this

            way Mrs. Torrance.



                         WENDY

            Great.  See you later, hon.



HALLORAN walks away to b.g.  WENDY & DANNY follow him.



                         JACK

            Bye darling.



ULLMAN, JACK & WATSON move out cam.L.



                                            DISSOLVE TO:



INT. HOTEL - KITCHEN - DAY - M.S.



WENDY holding DANNY's hand walks forward into kitchen with

HALLORAN.  CAMERA TRACKS BACK before them.



                         HALLORAN

            Mrs. Torrance, your husband

            introduced you as Winifred.  Now

            are you a Winnie or a Freddie?



                         WENDY

            I'm a Wendy.



                         HALLORAN

            Oh Wendy.  That's nice.  That's the

            prettiest.



                         WENDY

            God.  This is the kitchen, huh?



                         HALLORAN

            Yeah, this is it.  How do you like

            it, Danny?  Is it big enough for you?



                         DANNY

            Yeah, it's the biggest place I've

            ever seen.



HALLORAN laughs.



                                                           34.





                         WENDY

            Yeah.  This whole place is such an

            enormous maze, I feel I'll have to

            leave a trail of breadcrumbs every

            time I come in.



HALLORAN laughs.



                         HALLORAN

            Don't let it get you down Mrs.

            Torrance - it's big but it still

            ain't nothing but a kitchen... a

            lot of the stuff you'll never have

            to touch.



                         WENDY

            I wouldn't know what to do with it

            if I did.



                         HALLORAN

            Well one thing for sure, you don't

            have to worry about food because

            you folks could eat up here a whole

            year and never have the same menu

            twice.



HALLORAN points to cam.L and leans to cam.L taking hold of

door handle.



                         HALLORAN

            Now right here is our walk-in

            freezer.



                                            CUT TO:



INT. HOTEL - FREEZER - DAY - M.S.



HALLORAN opens door and steps into freezer.  WENDY & DANNY

stand in doorway.  HALLORAN points to various items.



                         HALLORAN

            Now this is where we keep all of

            out meat.  You got fifteen rib

            roasts - thirty ten pound bags of

            hamburgers.  You got twelve-

            turkeys, two dozen pork roasts and

            twenty legs of lamb.

                   (to Danny)

            Do you like lamb, Doc?



                         DANNY

            No.



                                                           35.





                         HALLORAN

            You don't?  Well what's your

            favorite food then?



                         DANNY

            French Fries and Ketchup.



HALLORAN laughs.



                         HALLORAN

            Well I think we can manage that

            too, Doc.  Come along now.  Watch

            your step.



HALLORAN points to step by door.



                                            CUT TO:



INT. HOTEL - KITCHEN - DAY - M.S.



DANNY & WENDY, followed by HALLORAN, come out of Freezer.



                         WENDY

            Mr. Halloran,



HALLORAN closes the door and turns to WENDY.



                         WENDY (CONT'D)

            how did you know we called him 'Doc'?



HALLORAN, DANNY & WENDY walk forward - CAMERA TRACKS BACK

with them.



                         HALLORAN

            Beg pardon?



                         WENDY

            Doc.  You called Danny 'Doc' twice

            just now.



                         HALLORAN

            I did?



                         WENDY

            Yeah.  We call him Doc sometimes,

            you know, like in the Bugs Bunny

            cartoons.  But how did you know that?



                         HALLORAN

            Well I guess I probably heard you

            call him that.



                                                           36.





                         WENDY

            Well, it's possible, but I honestly

            don't remember calling him that

            since we've been with you.



They all stop walking.



                         HALLORAN

            Well anyway, he looks like a Doc,

            doesn't he?



HALLORAN bends down to DANNY.



                         HALLORAN

                   (clicks his tongue)

            Me ah - what's up, Doc?



HALLORAN laughs and turns away to door cam.L.  He opens door.



                         HALLORAN

            Now this is the storeroom.



                                            CUT TO:



INT. HOTEL - STOREROOM - DAY - M.S.



HALLORAN moves forward into Storeroom, followed by DANNY &

WENDY.  Groceries stacked on shelves.



                         HALLORAN

            In here, Mrs. Torrance, is where we

            keep all the dried goods and the

            canned goods.  We got canned fruits

            and vegetables; canned fish and

            meats; hot and cold cereals.



HALLORAN & WENDY move L-R - CAMERA TRACKS with them past

shelf in f.g.



                         HALLORAN

            Post Toasties, Cornflakes, Sugar

            Puffs, Rice Krispies, Oatmeal,

            Wheatina and Cream of Wheat.



                                            CUT TO:



M.S. DANNY standing by cardboard boxes.  CAMERA TRACKS IN on

him.



                         HALLORAN (OFF)

            We got a dozen jugs of black

            molasses, we got sixty boxes of

            dried milk, thirty twelve pound

            bags of sugar.



                                            CUT TO:



                                                           37.





M.S. HALLORAN talks inaudibly to WENDY, back to camera.

CAMERA TRACKS IN on HALLORAN.



                         HALLORAN

                   (thought transfer)

            How'd you like some ice cream, Doc?



                                            CUT TO:



M.C.S. DANNY.



                         HALLORAN (OFF)

            sociables, finger rolls and seven

            kinds of what-have-you.



                                            CUT TO:



M.S. HALLORAN & WENDY move R-L to DANNY by open door.

CAMERA TRACKS with them.



                         HALLORAN

            Now we got dried peaches, dried

            apricots, dried raisins and dried

            prunes.



                                            CUT TO:



INT. HOTEL KITCHEN - DAY - M.S.



HALLORAN, followed by WENDY & DANNY move out of Storeroom

cam.R.f.g.



                         HALLORAN

            You know, Mrs. Torrance, you gotta

            keep regular, if you want to be

            happy.



HALLORAN laughs as he closes Storeroom door.  JACK, ULLMAN &

WATSON walk forward from b.g.



                         ULLMAN

            Hi.



                         WENDY

            Hi.



                         ULLMAN

            How're you getting on?



                         HALLORAN & WENDY

            Just fine.



                                                           38.





                         ULLMAN

            Dick, can we borrow Mrs. Torrance

            for a few minutes?  We're on our

            way through to the basement - I

            promise we won't keep her very long.



                         HALLORAN

            No problem, Mr. Ullman.  I was just

            getting to the ice cream.



HALLORAN leans down to DANNY.



                         HALLORAN

            Do you like ice cream, Doc?



                         DANNY

            Yeah.



HALLORAN laughs.



                         HALLORAN

            I thought you did.



HALLORAN straightens up and looks at JACK.



                         HALLORAN

            You folks don't mind if I give

            Danny some ice cream, while we're

            waiting for you?



                         JACK

            Not at all.



                         WENDY

            No, we don't mind.



                         HALLORAN

            Good.



                         WENDY

            Sound good to you, Danny?



                         DANNY

            Yeah.



                         WENDY

            Okay.  You behave yourself.



HALLORAN takes hold of DANNY's hand as ULLMAN, JACK, WENDY &

WATSON move away to b.g.



                         HALLORAN

            Now what kind of ice cream do you

            like Doc?



                                                           39.





                         DANNY

            Chocolate.



                         HALLORAN

            Chocolate it shall be.  Come on son.



HALLORAN & DANNY move out cam.L.



                                            DISSOLVE TO:



INT. HOTEL - GREEN CORRIDOR - DAY - M.S.



ULLMAN, JACK & WENDY - followed by WATSON - move forward.

CAMERA TRACKS BACK before them.



                         WENDY

            It's amazing how much activity is

            going on today.



                         ULLMAN

            Yes, well the guests and some of

            the staff left yesterday, but the

            last day is always very hectic -

            everybody wants to be on their way

            as early as possible.



They turn corner and walk away along corridor.



                         ULLMAN

            By five o'clock tonight, you'll

            never know anybody was ever here.



                         WENDY

            Just like a ghost ship, huh?



                         ULLMAN

            Yes.



                                            DISSOLVE TO:



INT. HOTEL - KITCHEN - DAY - M.C.S.



HALLORAN looking down cam.R.



                         HALLORAN

            Do you know how I knew your name

            was Doc?



                                            CUT TO:



M.C.S. DANNY over HALLORAN - DANNY looking at HALLORAN.



                                            CUT TO:



                                                           40.





M.C.S. HALLORAN



                         HALLORAN

            You know what I'm talking about,

            don't you?



                                            CUT TO:



M.C.S. DANNY over HALLORAN.  DANNY looking at HALLORAN.



                                            CUT TO:



M.C.S. HALLORAN



                         HALLORAN

            I can remember when I was a little

            boy, my grandmother and I could

            hold conversations entirely without

            ever opening our mouths.  She

            called it shining,



                                            CUT TO:



M.C.S. DANNY



                         HALLORAN (OFF)(CONT'D)

            and for a long time I thought it

            was just the two of us that had the

            shine to us.



                                            CUT TO:



M.C.S. HALLORAN.



                         HALLORAN

            Just like you probably thought you

            was the only one.  But there are

            other folks, though mostly they

            don't know it, or don't believe it.



                                            CUT TO:



M.C.S. DANNY



                                            CUT TO:



M.C.S. HALLORAN



                         HALLORAN

            How long have you been able to do it?



                                            CUT TO:



M.S. HALLORAN & DANNY sitting at table.



                                                           41.





                         HALLORAN

            Why don't you want to talk about it?



                                            CUT TO:



M.C.S. DANNY



                         DANNY

            I'm not supposed to.



                                            CUT TO:



M.C.S. HALLORAN



                         HALLORAN

            Who says you ain't supposed to?



                                            CUT TO:



M.C.S. DANNY



                         DANNY

            Tony.



                                            CUT TO:



M.C.S. HALLORAN



                         HALLORAN

            Who's Tony?



                                            CUT TO:



M.C.S. DANNY



                         DANNY

            Tony's the little boy who lives in

            my mouth.



                                            CUT TO:



M.C.S. HALLORAN



                         HALLORAN

            Is Tony the one that tells you

            things?



                                            CUT TO:



M.C.S. DANNY



                                                           42.





                         DANNY

            Yes.



                                            CUT TO:



M.C.S. HALLORAN



                         HALLORAN

            How does he tell you things?



                                            CUT TO:



M.S. HALLORAN & DANNY sitting at table.



                         DANNY

            It's like I go to sleep, and he

            shows me things but when I wake up,

            I can't remember everything.



                                            CUT TO:



M.C.S. HALLORAN



                         HALLORAN

            Does your Mum and Dad know about

            Tony?



                                            CUT TO:



M.C.S. DANNY.



                         DANNY

            Yes.



                                            CUT TO:



M.C.S. HALLORAN



                         HALLORAN

            Do they know he tell you things?



                                            CUT TO:



M.C.S. HALLORAN



                         HALLORAN

            Has Tony ever told you anything

            about this place?  About the

            Overlook Hotel?



                                            CUT TO:



M.C.S. DANNY over HALLORAN



                                                           43.





                         DANNY

            I don't know.



                                            CUT TO:



M.C.S. HALLORAN.



                         HALLORAN

            Now think real hard, Doc.  Think.



                                            CUT TO:



M.C.S. DANNY over HALLORAN.



                         DANNY

            Maybe he showed me something.



                                            CUT TO:



M.C.S. HALLORAN.



                         HALLORAN

            Try to think what it was.



                                            CUT TO:



M.C.S. DANNY over HALLORAN.



                         DANNY

            Mr. Halloran, are you scared of

            this place?



                                            CUT TO:



M.S. Shooting across table onto HALLORAN & DANNY.



                         HALLORAN

            No, I'm scared of nothing here.

            It's just that you know some places

            are like people, some shine and

            some don't.  I guess you could say

            the Overlook Hotel here has

            something about it that's like

            shining.



                         DANNY

            Is there something bad here?



                                            CUT TO:



M.C.S. HALLORAN.



                                                           44.





                         HALLORAN

            Well, you know Doc, when something

            happens it can leave a trace of

            itself behind... say like is

            someone burns toast.



                                            CUT TO:



M.C.S. DANNY



                         HALLORAN (OFF)

            Well, maybe things that happened...

            leave other kinds of traces behind.



                                            CUT TO:



M.C.S. HALLORAN



                         HALLORAN

            Not things that anyone can notice,

            but things that people who shine

            can see.  Just like they can see

            things that haven't happened yet.

            Well, sometimes they can see things

            that happened a long time ago... I

            think a lot of things happened

            right here in this particular

            hotel - over the years, and not all

            of them was good.



                                            CUT TO:



M.C.S. DANNY



                         DANNY

            What about Room 237?



                                            CUT TO:



M.C.S. HALLORAN



                         HALLORAN

            Room 237?



                                            CUT TO:



M.C.S. DANNY



                         DANNY

            You're scared of Room 237, ain'tcha?



                                            CUT TO:



M.C.S. HALLORAN



                                                           45.





                         HALLORAN

            No I ain't.



                                            CUT TO:



M.C.S. DANNY



                         DANNY

            Mr. Halloran, what is in Room 237?



                                            CUT TO:



M.C.S. HALLORAN



                         HALLORAN

            Nothing.  There ain't nothing in

            Room 237, but you ain't got no

            business going in there anyway, so

            stay out!  You understand, stay out!



                                            CUT TO:



M.C.S. DANNY.



                                            CUT TO:



BLACK FRAMES.



Superimposition over:



A MONTH LATER



                                            CUT TO:



EXT. OVERLOOK HOTEL - DAY - M.L.S.



Hotel.  Mountain in b.g.



                                            CUT TO:



INT. OVERLOOK HOTEL - LOBBY - DAY - M.S.



WENDY pushing trolley forward along corridor.  CAMERA TRACKS

BACK with her.  She turns to cam.L and enters Lobby.  CAMERA

TRACKS R-L with her across lobby.



                                            CUT TO:



INT. HOTEL - KITCHEN & LOUNGE - DAY - M.S.



DANNY sitting on tricycle.  He pedals out of Kitchen into

Lounge, across it and back into Kitchen.



                                                           46.





CAMERA TRACKS FORWARD after him.



                                            CUT TO:



INT. HOTEL - CORRIDOR TO TORRANCE'S APARTMENT - DAY - M.S.



WENDY enters cam.L pushing trolley.  She pushes it forward

along corridor.  CAMERA PANS L-R with her to door of their

Apartment.



                                            CUT TO:



INT. HOTEL - TORRANCE'S APARTMENT - DAY - M.C.S.



JACK asleep in bed, reflected in mirror.  CAMERA TRACKS BACK.

WENDY enters cam.R carrying tray.  She walks forward.

CAMERA TRACKS BACK with her.  She puts tray down on table.



                         WENDY

            Good Morning, hon.  Your breakfast

            is ready.



                         JACK

            What time is it?



                         WENDY

            It's about eleven thirty.



CAMERA TRACKS FORWARD to JACK & WENDY reflected in mirror.



                         JACK

            Eleven thirty - Jesus!



                         WENDY

            I guess we've been staying up too

            late.



                         JACK

            I know it.



JACK sticks his tongue out.  WENDY picks up plate and glass

of orange juice.



                         WENDY

            I made 'em just the way you like

            'em, sunny side up.



                         JACK

            Hmm, nice.



WENDY walks forward to JACK and puts plate down cam.L.  She

hands him glass of orange juice and he drinks it.



                                                           47.





                         WENDY

            It's really pretty outside.  How

            about taking me for a walk after

            you've finished your breakfast?



                         JACK

            Oh I suppose I oughta try to do

            some writing first.



He puts empty glass down cam.L and picks up plate of eggs

and bacon.



                         WENDY

            Any ideas yet?



                         JACK

            Lots of ideas.  No good ones.



WENDY sits down cam.R.



                         WENDY

            Well, something'll come.  It's just

            a matter of settling back into the

            habit of writing every day.



                         JACK

            Yeah... that's all it is.



JACK starts to eat bacon.



                         WENDY

            It's really nice up here, isn't it?



                         JACK

            I love it.  I really do.  I've

            never been this happy, or

            comfortable anywhere.



                                            CUT TO:



M.C.S. WENDY



                         WENDY

            Yeah.  It's amazing how fast you

            get used to such a big place.  I

            tell you, when we first came up

            here, I thought it was kinda scarey.



WENDY laughs.



                                            CUT TO:



M.C.S. JACK over WENDY.



                                                           48.





                         JACK

            I fell in love with it right away.

            When I came up here from my

            interview, it was as though I had

            been here before.  We...we all have

            moments of deja vu, but this was

            ridiculous.  It was almost as

            though I knew what was going to be

            around every corner.  Ooohhhhh...



WENDY laughs.



                                            DISSOLVE TO:



INT. HOTEL - LOUNGE - DAY - M.S.



Typewriter with sheet of paper in it.  CAMERA TRACKS BACK

and TILTS UP onto JACK throwing ball against wall.



                                            CUT TO:



M.S. JACK back to camera throwing ball against wall.



                                            DISSOLVE TO:



EXT. HOTEL - MAZE - DAY - M.L.S.



WENDY running after DANNY from Hotel to Maze - CAMERA PANS

L-R & TRACKS with them to entrance to Maze.



                         WENDY

            The loser has to keep American

            clean, how's that?



                         DANNY

            All right.



                         WENDY

            And you're gonna lose.  And I'm

            gonna get you - you betta run fast!

            Look out - I'm coming in close.

            All right?



DANNY & WENDY run into Maze.  CAMERA TRACKS L-R onto plan of

Maze on board.



                         DANNY (OFF)

            You'll have to keep America clean.



                                            CUT TO:



                                                           49.





INT. MAZE - DAY - M.S.



DANNY & WENDY walking forward in Maze - CAMERA TRACKS BACK

before them.



                         WENDY

            Okay Danny, you win.  Let's take

            the rest of this walking, huh?



                         DANNY

            Okay...oh!



                         WENDY

            Give me your hand.  Oh, isn't it

            beautiful.



                         DANNY

            Yeah.



                                            CUT TO:



M.S. WENDY & DANNY backs to camera walking away through

Maze - CAMERA TRACKS FORWARD after them.



                         WENDY

            Here's a dead end.



WENDY & DANNY turn at dead end and walk away along Maze.

CAMERA TRACKS after them.



                                            DISSOLVE TO: